It goes as well on a vocal or bass as on a string quartet or drum kit submix. However, digital technology has made it easier to analyse incoming audio and so there are now quite a few plug-ins that really can work in a program dependant way. Over the years, I have refined my techniques with it, creating a useful 'starter for 10' preset and then automating the Manual Pitch and Smoothing to deal with the occasional notes that the preset doesn't sort out by itself. Rocket Download is not responsible for any problems that may occur from downloading or installing software that listed here. This revolutionary approach allows for instant gratification since you only have three very intuitive parameters to tweak. It's a compressor and limiter, single- or multi-band, with tape saturation emulation.
You can set it up to do one band or four bands and the quality and tone of the distortion is highly unusual and variable, especially when you bring the filtering into play. I think you can download a fully functioning time limited demo. Despite the name, it's equally adept with other sources; personally, I love it on acoustic guitars. But because the whole program is entirely transparent, you can jump to any of the elements that make up the mastering chain and see exactly what effect they are having. When I want loudness maximisation with maximum neutrality, this is the tool for the job. Noveltech's Character is the exact opposite; the interface is a bit quirky and the parameters largely conceptual, to the point where you actually have little idea what you're doing most of the time. The 'Trinity Church' preset was a notable highlight when I first started using the plug-in nearly three years ago, and Waves now have a pretty extensive library of impulse responses.
In under a minute we got something we liked. The pedigree of the analogue gear in question goes way beyond marketing. For example, I was able to improve a solo violin part that had a couple of notes that really jumped out of the mix, setting C4 to sit on those notes without squashing the rest of the sound. To start with, it was the only one I had, as I got it as part of a Digidesign bundle. I like to monitor through it during the later stages of a mix, so I can hear what it's doing.
The bewildering array of presets illustrates this very well, ranging from simple slapbacks to all manner of sound-effect weirdness. Like all broadband noise reduction, Soundsoap needs to be used with great care when dealing with complex problems, as it's all too easy to throw out the sound of baby's first words with the gurgling of the bathwater. This allows me to push the process a bit harder, or back off a bit on some elements within the track, rather than just applying it to a finished mix. The sound quality is jaw-dropping and the ever-expanding library of freely downloadable impulse responses is top-class. Agree a must have and that's a great price.
Responding to a question about what plugin he uses to give his sounds more power, Hardwell says he uses the Noveltech Character Plugin. These days it's probably true to say that the average computer-based musician wouldn't want to do without plug-ins. It brightens things up nicely without sounding harsh or over-the-top. This displays the signal on a three-dimensional graph with time on one axis and frequency on another, and colour is used to show amplitude. Anyway, it is just a small change. Moreover, with eight filter options for each of the eight bands, this is a wonderful tool for mastering where you need precise control over the entire frequency range, combined with a natural sound. By default it's quite extreme, slamming and grunging up what you put through it.
Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. It starts working to improve your vocal sound from the moment you load it onto your track and, with a bit of adjustment, it is capable of producing results in no time at all. Sure, it's a compressor, but somehow it makes everything routed through it sound just that little bit better and that's why I love it. As described above, is the road to success. Maybe they would update the protection again after a while.
This turns the output stage into the best distortion effect I know for basses, drums and practically anything else. We are merely a software download directory and search engine of shareware, freeware programs available on the Internet. Instead, when I reach for a plug-in it is usually to fix a serious problem in the recording itself — typically some unwanted noise that ruins an otherwise perfect performance. It uses the same underlying technology as Character, continually reacting to the incoming vocal signal and applying whatever spectral changes it deems necessary based on the material itself and your control settings. One example of such characteristics is the time related attack and decay properties of the signal's transients.
Ever since Aphex brought out the Aural Exciter in the '70s there have been many attempts to offer a 'one stop' box that adds some kind of 'enhancement' to any audio signal passed though it. I rarely use it for hard gating isn't that what Strip Silence is for? As well as enhancing the a cappella sound of your vocals, the processing also helps them to cut through in a mix; meaning you will usually need to add less additional compression to keep your vocals in the foreground. Thanks for the tip, yorolpal. Exactly how these plug-ins work is still something of a secret, but it appears that once you have defined the part of the audio spectrum that needs enhancing, any naturally occurring bumps and dips in the frequency spectrum of the signal are exaggerated in a dynamic way, so that whatever the natural character of the sound, turning up the knob simply gives you more of it. Source Distribution +44 0 208 962 5080.